K. Gokulsing ; Wimal Dissanayake

India is the largest film producing country in the world and its output has a global reach. After years of marginalization by academics in the Western

India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western

This unique study examines the importance of melodrama in the film traditions of Japan, India, China, Indonesia, the Philippines and Australia.

This unique study examines the importance of melodrama in the film traditions of Japan, India, China, Indonesia, the Philippines and Australia.

As political barriers crumble, Asian cinema is increasingly attracting the attention of film critics, film scholars, and specialists in cultural studi

Bouwen in Nederland600-2000Redactie:prof. dr. Koos Bosmaprof. dr. Aart Mekkingprof. dr. Koen Ottenheymprof. dr. Auke van der WoudIn Bouwen in Nederlan

In this book, the authors explore the variety of ways the news media-newspapers, radio, and television-are involved in national and international conf

The "Third Cinema" movement called for a politicised film-making in Africa, Asia and Latin America which would address issues of race, class, religion

Ironically, as telecommunications technology-the embodiment of modernity-advances, bringing people in different nations into more direct contact durin

The "Third Cinema" movement called for a politicised film-making in Africa, Asia and Latin America which would address issues of race, class, religion

This groundbreaking collection focuses on what may be, for cultural studies, the most intriguing aspect of contemporary globalization-the ways in whic

This groundbreaking collection focuses on what may be, for cultural studies, the most intriguing aspect of contemporary globalization—the ways in whic

Comprehensive, clear, and approachable, with clever real-world examples that motivate students

"Understanding the Social World: Research Methods for the 21st Century is a concise and accessible introduction to the process and practice of social

K. Schippers (1936-2021) heeft een uniek oeuvre van romans, poëzie en verhalen & beschouwingen op zijn naam staan, waarin hij het toeval en het speels

‘De taal is m’n zuurstof, als ik iets beschrijf, ben ik er.’ Dat denkt K. Schippers terwijl hij in Londen een adres zoekt. Hij vergist zich, loopt in